Each mortal thing does one thing and the same: Deals out that being indoors each one dwells; Selves - goes itself; myself it speaks and spells, Crying "What I do is me: for that I came." ~G.M. Hopkins
Friday, September 22, 2006
moth
upon my finger
your wings
etched
by charcoal's fragile lines
paint so tenderly
soft night’s air
in waves of
flawless silence
you an impish gift
sent from smitten twilight
for his beloved moon
you delicately taste
my tea and honeyed fingers
wash your tiny face
and taste again
your profound ebony eyes
affirm me
in prismic layers
we, together
exist
in midnight’s garden
eavesdropping on
parceled harmonies from
unseen lovers
you, refreshed
take wing
into your lovers’ darkness
your silent flight
disappearing into
the garden's symphonies
and I
wordlessly
breathe in
night's perfumes
ponder
our brimming moon
with empathic eyes
hear
the lover's songs
with knees under my chin
and I
know faith
love
My love dresses me
in diffusing gowns
of deep earth
rooting me
to richest loam,
then flings me to heaven
in ancient oak's newest leaves.
My love twirls me
in echoing mirth
infusing my eyes
with seas' tempests
and her depths
pour brine
upon my sunlit face,
trailing radiant shells
within my waving hair.
My love
tastes of exquisite desire
sustains small faiths
and expectations,
the palette of skies
embraced in
a small
jeweled jar.
My love
is all
I own
I wear it
as freely
as sunshine.
bent
A Marvelous Roller Coaster
once flew
on a picturesque
patch of farmland
Everyone would come
from miles
(and miles) around
to ride it
(that’s what The Papers said)
until the day it
C r A s H e D
all who were on
were SnaPPeD in HalF
and DieD
(this was recreated using
Computer Animation in a
Made-For-TV-Special)
all but Three
all but Three
DeaD
(SnaPPeD in HalF,
I saw the Program)
Three from One
family, but
they were so badly Bent
no one could bear
to Look-Upon-Them
ever (ever ever Ever)
again
and so it happened
(as these things do)
they were made to
live under
a tunnel, very
full of Shadows and
dirty water
and the occasional mushroom
once, they were beautiful
(I had seen the Before Pictures)
a mother, father, and a lovely
little girl
now hiding their Bent forms
in the dirt and water
I came across them
in my wanderings, because
I had been taken
from my home
and I too,
was Abandoned
no longer Permitted to return
(not that I could remember
Where to go,
or Who to ask for,
or Why -
the Why bothered me)
I no longer
could wear shoes, no longer
was Allowed
to grow My Own Flowers
I shared their Shadows
awhile, and placed the last
of my brittle faded
bouquet within
the little bent girl’s
Matted Filthy hair
walked along the stony
road to town
and became
SomeThing Else.
fish hooks
sober,
I have not known this face
reborn in palest newborn skin
translucent, and
tissue thin
all my nerves unclothed
disgraced, at their own nakedness
I do not know how to use these hands
a flesh of weeping grief
from savage shredded tracks
of grief and joy and hate and fear of love
and of despair
the tiny fish hooks sliced
and pierced
with their
sharpened razor points
I have never heard my voice
still I must dig
grasping into
my unprotected soul
wrenching out my
heart
for all to see
tearing open my
eyes
so I must look
at the person I do not know.
cat lady
Mainly she is kind.
spreading bird seed
in the feeder
hanging in the maple
that shades the front
so completely
that grass cannot see to grow, and whose
keys litter bare ground each year in
twirling fetal hopes
her hand
is smaller than you thought
reaches out from a too big
faded grey and fuzzy sweater
it has tissue paper lines that
you wait to crinkle as
she opens and lets go the seed
her step
is small, as she shuffles
back inside
Mostly she is alone.
except for her cats, who
rub her tiny legs – and
usually - will sit
with her
to watch the shaded yard
for birds.
night
with this ending
it will be the raw beauty
I'll recall
when fear comes for me
with his open deep and
soulless mouth
forever screaming
out his blackness
I am so small and
I am afraid
afraid of the seductive edges
of his mouth
his embracing kiss
his captivating darkness
tonight as
his chill infuses me
I compose my goodbye
gripping my own soul
with ruined hands
it’s his night now,
sprinkled with the same stars
illuminated by the same moon
I knew before
when I trusted
in raw beauty
still, tonight I will
write these aching lines
crawl through them
rubbing jagged truth under
my cold skin
within my eyes
into my still heart
this letting go is so long
and this living
so short
a woman
sometimes
she struggles
not to desire
so very much
not to love
and more elusive still
she labours
not to love
so very much
not to inhale too deeply
so when that first breath
does come
her inspiration
will not be
small whisps of clouds
that danced upon tall summits
if it comes at all
to love so much
she trusts
Trusts
that even
with closed eyes
on her darkest nights
a radiant red light
will softly dwell
upon her sleeping eyes
and enfold itself
all around her
that she may embrace
and abandon
herself in
the exquisite pain
of her
wide open soul
again
she seeks to shield
herself away
from this love
but she cannot
remember how
and so
she goes from
day to day
with heart exposed
embracing
gracious trees,
gazing on
her radiant moon,
understanding the passions
of the sea,
and loving her earth,
with a joy that makes her ache
and loving a man
for all that he is
for all that he will never be
and some days
she
wishes
wishes
it all away
blackness
a diving spotted loon
to which the surging waves arouse no wonder,
a soaring mateless seagull beneath
grave misting clouds,
a pair of blackest crows
in deliberate and dark discourse,
and the early morning chorus of birds
I have not met,
here are my early morning companions
this morning,
my last morning here.
and this I ponder wrapped in heavy woolen
drinking strong coffee
made stronger still with Jamison’s
I ponder these birds
the burden of their sky
the profundity of their black waves
their universal harmony
and when the drizzle mixes with the rising surge
the loon dives again and does not return for me
the crows take their argument to distant trees
and the seagull glides so low under
the weeping
clouds - I cannot breathe to watch
and I am alone
with their water and thoughtful stones
the unspoken rain
and within my silence
with the blunt smell of cold
and the raw touch of
grey horizon light
the untraveled blackened depths
under which
I will always lie.
Sunday, September 10, 2006
a letter about Catherine
Catherine sometimes
seems to be more spirit than she is flesh
or perhaps
she has more felicity than
the instrument that is her body
will contain
for it may appear
she is akin to sunshine
refusing to be restrained
streaming out and through
all afforded spaces
brilliantly expanding
reflecting over
everything within her grasp.
resonating from just under
her brave skin is
joy, exuberance, dance and laughter
together and all at once.
she swallows the earth
in a fierce embrace, and
steps boldly out into its
darkness
and its brightness
arms open
mouth spilling laughter
to mingle and weave
with the world’s voice.
she is liquid speed and
profound stillness
side by side
kaleidoscopically dancing
to music she composes
with handfuls of willow leaves and
brightly woven yarn
tossed into the air.
I hear her between the
soft rasping of a page turned
and the persistent rasp of
pencils across paper.
she is my teacher
my guide
my joy
my daughter.
Friday, September 08, 2006
even so
I am not a metaphor. neither am I these typed words. a telephoned voice, or a photograph. I am a woman. my heart has no charcoal markings, no burning internal fires, or broken glass scarring it. cannot fly, or break. it is merely made of muscle measuring about the size of my left hand closed into a fist. it beats for no man, but to pass blood. my lungs have never breathed saltwater, only air, almost always when necessary air - for my voice air - for my blood. blood that has no gracious qualities, only a fluid, essentially water, some salt, too much sugar sometimes and occasionally, it bleeds outside my skin. skin that bears actual scars, a frequent and great variety of bruises, skin that sags where I don’t want it to, is wrinkled more than I would like. skin - simply physical protection for my body. I hang bracelets on it, and for vanity rub makeup on it, but this cannot change that it is plain skin. if you could look into my eyes there is no broken glass twinkling, no universes to transverse, only hazel, that can appear tired. my eyes - cry saline tears more than I expected. my hands and feet are not beautiful, neither are they ugly. they are useful. functional for for cleaning, cooking walking, maybe dancing. raising children, feeding pets. my hands write, paint and with my eyes take many photos. no timber exists in my hair, no scent of jasmine or honey. it is dead, and usually unruly in the wind and rain. I paint it colours, again for vanity my children play with it while I tell them stories. I am only made of blood and bone, valuable for walking through this world the best that I am able. I am not these typed words. neither am I great metaphors. I only am a woman.
even so that is enough.
I am not a metaphor. neither am I these typed words. a telephoned voice, or a photograph. I am a woman. my heart has no charcoal markings, no burning internal fires, or broken glass scarring it. cannot fly, or break. it is merely made of muscle measuring about the size of my left hand closed into a fist. it beats for no man, but to pass blood. my lungs have never breathed saltwater, only air, almost always when necessary air - for my voice air - for my blood. blood that has no gracious qualities, only a fluid, essentially water, some salt, too much sugar sometimes and occasionally, it bleeds outside my skin. skin that bears actual scars, a frequent and great variety of bruises, skin that sags where I don’t want it to, is wrinkled more than I would like. skin - simply physical protection for my body. I hang bracelets on it, and for vanity rub makeup on it, but this cannot change that it is plain skin. if you could look into my eyes there is no broken glass twinkling, no universes to transverse, only hazel, that can appear tired. my eyes - cry saline tears more than I expected. my hands and feet are not beautiful, neither are they ugly. they are useful. functional for for cleaning, cooking walking, maybe dancing. raising children, feeding pets. my hands write, paint and with my eyes take many photos. no timber exists in my hair, no scent of jasmine or honey. it is dead, and usually unruly in the wind and rain. I paint it colours, again for vanity my children play with it while I tell them stories. I am only made of blood and bone, valuable for walking through this world the best that I am able. I am not these typed words. neither am I great metaphors. I only am a woman.
even so that is enough.
Thursday, September 07, 2006
restoration
for david whyte
I am too frail.
in silence it may be
that I am treasured.
but, as yet I cannot walk alone.
my essence neither is
the candle flame's
soft flickerings, nor
is it the flitting moth’s
sweet flight - but is occasionally
illuminated within their whispered
sensual dancing.
my present burnt into amethyst
upon my fingertips
by my past’s pure incomprehension
of the flame’s searing cognition.
in translucent layers I unmask myself -
my silent intuition
in wordless discourse with my soul
burning my rawest flesh.
with the questions
that never had forsaken me.
within my bones
the ancient wisdom surviving -
carving a path a foundation
forged in anguish
suffused with ignorance
leading to the world.
where I could return from my own exile.
walking on my own. walking towards love.
arriving to where all is absolutely - and unapologetically itself.
and was only waiting, waiting, for this my restoration.
for david whyte
I am too frail.
in silence it may be
that I am treasured.
but, as yet I cannot walk alone.
my essence neither is
the candle flame's
soft flickerings, nor
is it the flitting moth’s
sweet flight - but is occasionally
illuminated within their whispered
sensual dancing.
my present burnt into amethyst
upon my fingertips
by my past’s pure incomprehension
of the flame’s searing cognition.
in translucent layers I unmask myself -
my silent intuition
in wordless discourse with my soul
burning my rawest flesh.
with the questions
that never had forsaken me.
within my bones
the ancient wisdom surviving -
carving a path a foundation
forged in anguish
suffused with ignorance
leading to the world.
where I could return from my own exile.
walking on my own. walking towards love.
arriving to where all is absolutely - and unapologetically itself.
and was only waiting, waiting, for this my restoration.
words words words
(for the fishmongers)
the words!
the ones that
I should say
(to you)
I found them
the showerhead
spittling
them
streaming them over all of me
in slippery and in hot
drops -
arousing me
frightening me
and thrilling every part of
me.
then they just
desserted me
within the steam.
later -
my whisk grasped hold
of them
glistening with them
tauntingly me
with them
in its shining flowing
metal curves of them
alas, they were felled
among the yellowed yolks
in dumbest foam.
served.
chewed.
digested.
gone.
firmly grasped at last
they shattered
spitting at me in
blood and
glass and
burning
skin.
leaving stains and scars
on my hands and
on my arms.
oh, fuck the words.
likely I was
talking only to
myself.
. . .
" 'tis none to you; for there is nothing either good or bad, but thinking makes it so: " ~ Hamlet II, ii"
(for the fishmongers)
the words!
the ones that
I should say
(to you)
I found them
the showerhead
spittling
them
streaming them over all of me
in slippery and in hot
drops -
arousing me
frightening me
and thrilling every part of
me.
then they just
desserted me
within the steam.
later -
my whisk grasped hold
of them
glistening with them
tauntingly me
with them
in its shining flowing
metal curves of them
alas, they were felled
among the yellowed yolks
in dumbest foam.
served.
chewed.
digested.
gone.
firmly grasped at last
they shattered
spitting at me in
blood and
glass and
burning
skin.
leaving stains and scars
on my hands and
on my arms.
oh, fuck the words.
likely I was
talking only to
myself.
. . .
" 'tis none to you; for there is nothing either good or bad, but thinking makes it so: " ~ Hamlet II, ii"
Guitar
strumming
you know those
lost-love-poems
the kind we always hated
well
they've brought you back
again
from where
you-were-oh-so-carefully,
tucked away
and now ~
I hear again
your guitar fingers
strumming
lazy on those strings ~
in my 70's hand-me-down-chair
your guitar fingers
that made me -
just made me
~ sit ~
pretending
pretending
to get ready
all the while
my eyes closed,
~ listening ~
as your strumming
drifted into me...
becoming me
I never told you that.
you must have
thought
I took
f o r e v e r
to get dressed
It didn't last
but for those years
I was alive
and sometimes
when I’m
getting dressed
I’ll just sit
and close my eyes
so I can hear
your lazy
strumming
just
one more time…
oh, damn
those lost love poems
damn
you know those
lost-love-poems
the kind we always hated
well
they've brought you back
again
from where
you-were-oh-so-carefully,
tucked away
and now ~
I hear again
your guitar fingers
strumming
lazy on those strings ~
in my 70's hand-me-down-chair
your guitar fingers
that made me -
just made me
~ sit ~
pretending
pretending
to get ready
all the while
my eyes closed,
~ listening ~
as your strumming
drifted into me...
becoming me
I never told you that.
you must have
thought
I took
f o r e v e r
to get dressed
It didn't last
but for those years
I was alive
and sometimes
when I’m
getting dressed
I’ll just sit
and close my eyes
so I can hear
your lazy
strumming
just
one more time…
oh, damn
those lost love poems
damn
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