Each mortal thing does one thing and the same: Deals out that being indoors each one dwells; Selves - goes itself; myself it speaks and spells, Crying "What I do is me: for that I came." ~G.M. Hopkins
Wednesday, February 29, 2012
Thursday, November 25, 2010
A MOMENT OF SILENCE Before I start this poem, I'd like to ask you to join me in a moment of silence
in honor of those who died in the World Trade Center and the Pentagon last
September 11th. I would also like to ask you to offer up a moment of silence for all of those who
have been harassed, imprisoned, disappeared, tortured, raped, or killed in
retaliation for those strikes, for the victims in both Afghanistan and the U.S. And if I could just add one more thing... A full day of silence for the tens of thousands of Palestinians who have died at
the hands of U.S.-backed Israeli forces over decades of occupation. Six months
of silence for the million and-a-half Iraqi people, mostly children, who have died
of malnourishment or starvation as a result of an 11-year U.S. embargo against the
country. Before I begin this poem, two months of silence for the Blacks under Apartheid in
South Africa, where homeland security made them aliens in their own country Nine
months of silence for the dead in Hiroshima and Nagasaki, where death rained down
and peeled back every layer of concrete, steel, earth and skin and the survivors
went on as if alive. A year of silence for the millions of dead in Viet Nam - a
people, not a war - for those who know a thing or two about the scent of burning
fuel,their relatives' bones buried in it, their babies born of it. A year of
silence for the dead in Cambodia and Laos, victims of a secret war ...
ssssshhhhh .... Say nothing ... we don't want them to learn that they are dead.
Two months of silence for the decades of dead in Colombia, whose names, like the
corpses they once represented, have piled up and slipped off our tongues. Before I begin this poem, An hour of silence for El Salvador ... An afternoon of silence for Nicaragua ...
Two days of silence for the Guetmaltecos ... None of whom ever knew a moment of
peace in their living years. 45 seconds of silence for the 45 dead at Acteal,
Chiapas 25 years of silence for the hundred million Africans who found their
graves far deeper in the ocean than any building could poke into the sky. There
will beno DNA testing or dental records to identify their remains. And for those
who werestrung and swung from the heights of sycamore trees in the south, the
north, the east, and the west... 100 years of silence... For the hundreds of millions of indigenous peoples from this half of right here,
Whose land and lives were stolen, In postcard-perfect plots like Pine Ridge,
Wounded Knee, Sand Creek, Fallen Timbers, or the Trail of Tears. Names now
reducedto innocuous magnetic poetry on the refrigerator of our consciousness ... So you want a moment of silence? And we are all left speechless Our tongues snatched from our mouths Our eyes stapled shut A moment of silence And the poets have all been laid to rest The drums disintegrating into dust Before I begin this poem, You want a moment of silence You mourn now as if the world will never be the same And the rest of us hope to hell it won't be. Not like it always has been Because this is not a 9-1-1 poem This is a 9/10 poem, It is a 9/9 poem, A 9/8 poem, A 9/7 poem This is a 1492 poem. This is a poem about what causes poems like this to be written And if this is a 9/11 poem, then This is a September 11th poem for Chile, 1971 This is a September 12th poem for Steven Biko in South Africa, 1977 This is a September 13th poem for the brothers at Attica Prison, New York, 1971. This is a September 14th poem for Somalia, 1992. This is a poem for every date that falls to the ground in ashes This is a poem for the 110 stories that were never told The 110 stories that history chose not to write in textbooks The 110 stories that that CNN, BBC, The New York Times, and Newsweek ignored This is a poem for interrupting this program. And still you want a moment of silence for your dead? We could give you lifetimes of empty: The unmarked graves The lost languages The uprooted trees and histories The dead stares on the faces of nameless children Before I start this poem we could be silent forever Or just long enough to hunger, For the dust to bury us And you would still ask us For more of our silence. If you want a moment of silence Then stop the oil pumps Turn off the engines and the televisions Sink the cruise ships Crash the stock markets Unplug the marquee lights, Delete the instant messages, Derail the trains, the light rail transit If you want a moment of silence, put a brick through the window of Taco Bell, And pay the workers for wages lost Tear down the liquor stores, The townhouses, the White Houses, the jailhouses, the Penthouses and the Playboys. If you want a moment of silence, Then take it On Super Bowl Sunday, The Fourth of July During Dayton's 13 hour sale Or the next time your white guilt fills the room where my beautiful people have gathered You want a moment of silence Then take it Now, Before this poem begins. Here, in the echo of my voice, In the pause between goosesteps of the second hand In the space between bodies in embrace, Here is your silence Take it. But take it all Don't cut in line. Let your silence begin at the beginning of crime. But we, Tonight we will keep right on singing For our dead. - Emmanuel Ortiz 9.11.02
Sunday, December 27, 2009
Thursday, April 09, 2009
on the window ledge, the daffodils open in their mason jar of water
a dried bud keeps the smallest incomplete
its uneven yellow face turns to me, away from the sunlight.
do I love because I know one day I will leave?
in the garden
the crocus have begun to wilt,
except for the patch that hid themselves beneath the large stone.
in their solitude, they do not know the time to fade.
Tuesday, June 17, 2008
will it matter that I knew you?
off maple keys
did the words have meaning
and in the end
will I matter?
Friday, June 08, 2007
Dear Poetry
I will break again.
outside locked doors
inside the rain;
I am not enough
to stand,
to touch the shattered drop.
I cannot awake.
Morpheus bound me
in his embrace.
I do break.
shards of glass bled
colourless by rain.
I am not enough
to eat my pain,
chew brittle glass
kiss her anger.
I do not get away.
I will die again;
be reborn in blackness
of my darkest cave.
I may awake
alone, in Gaia’s womb
entombed, unknown.
I will not flay my
flesh in words;
fall through myself
to make amends
again.

concupiscence
The lavender garden is sharp dry sticks. The half withered lilac bush hangs on like a stroke victim, small white flowers facing away from its dead side. In front, an entire clump of golden ground cover, eaten alive. The herbivores moving on to tasty nettle flowers and deep blue hostas.The thistles are thriving. Feeding birds all winter, has afforded me this reward.
I sit under my willow’s weeping, and look to its stunted branches for emotions appropriate for the dead and dying. Are they waiting under heavy clay soil to emerge with cicadas? Will I recall my love in the arrival of their ravenous droning?
Perhaps.
All are dead, or will die from my neglect. If you want to be poetic, will die from my breakdown, my second bottom, my passions' burial, from life and hope too afraid to wake up.
But my today is not for poetry.
Today I stand in thistles. Last summer, I brushed past lavender for the perfumed caress it left on me. I regard the desiccated bed before my re-immersion in barren slumber.

Thursday, June 07, 2007
Friday, May 18, 2007
| starved rock | |
|
are you more precious
because of your
dying?
- picking, eating, dead flesh
with your iced fingers -
or still precious in spite of it?
do hearts explode
with grief,
or do they hide,
again?
again. and again. and, again.
a man will bury himself
alive,
(I've watched. holding his shovel)
(again)
do you notice
mother earth's dark womb
engulfing you again?
I hate these words.
I hate my words.
again.
I hate.
I hate loving you
again.
Saturday, April 14, 2007
3am
there is someone
in here
dying
it's 3am, and I
need to hear
sunlight
you, obviously
hours wealthier,
step off into
your life
the blackness between
your words
will not hold time
curled
within it - I
listen for breathing.
II
continuum
inside
I waited for rules
to change
-time is dripping somewhere in a cave-
(Do Not drink the
black drops)
love?
you were in love with it
(it tasted of quinine
dipped in too much sugar)
III
space
a heart holds
enough blood to
flow
evenly across
a kitchen table
before turning
black
(you never wrote this down)
in the space beside speech
you can
hold smooth
cold stones
collected, I
wear them in a sac
around my neck
they weigh the same as time.
IV
patterns of engagement
number one
embrace bleeding
learn to love
sticky sweetness
this is how snow
feels to a daffodil
french kissing
cold with hot
fuck this.
blood in snow feels
beautiful
the velvet of black
roses
is absolutely edible.
V
infinity
metaphorically speaking
my murder will
be misunderstood
it will be enough to say
it's hour
was infinite
like the taste of
chocolate
kissed from your tongue
in solitude.
Sunday, March 18, 2007

From Ear to Quaternity
(a Ruthless and Toothless Production)
by Leanne Handson
(fabulous poet - and not just because she wrote this)
author of "Odd Verse Effects"
Bow down before the Amazing Callooh
Mistress of misery, goddess of gore
Lady of leg humping fantasies blue
Driving us mad with foot flat on the floor
If you’re disturbed (perhaps sick to the core)
Bow down before the Amazing Callooh
Read and prepare to be struck down with awe
(Some say it feels like a dose of the flu)
If you’ve a parrot to spare (maybe two)
Drop by the Bulldog for cheeses galore
Bow down before the Amazing Callooh
Pay your respects to the nut we adore
Nearly the end now, there’s just one verse more
Then you can go back to peanuts and brew
Make sure you’ve done what I got you here for:
Bow down before the Amazing Callooh
Never, get too friendly with a poet....
Sunday, February 25, 2007
I read Neruda with you
in a dream that was
worthy of your untamed mouth,
your heavy eyes, they
hold the deep night's velvet
your roughened hands, impossible
not to touch
I woke with you
my eyelids
draped by May’s first dew, then
opened to cold solitude
an emptiness caressed
by dawn’s orange fingers
your touch fleeing on chaste butterfly wings
my love, a transparent child,
cries soft round tears
that float up and leave my
tender kisses in the
pure whiteness of clouds.
Saturday, February 24, 2007
and when first I loved clung in fear
flayed from
my fierce passion
for you, bound loosely
deep within myself.
I swallow back and
gag on my bile stained
remorseful confessions.
you are
Tuesday, February 20, 2007

the strongest of the strange
you wont see them often
for wherever the crowds are
they
are not.
these odd ones, not
many
but from them
come
the few
good paintings
the few
good symphonies
the few
and other
works.
and from the
best of the
strange ones
perhaps
nothing.
they are
their own
paintings
their own
books
their own
music
their own
work.
sometimes i think
i see
them- say
a certain old
man
sitting on a
certain bench
in a certain
way
or
a quick face
going the other
way
in a passing
automobile
or
there’s a certain motion
of the hands
of a bag-boy or a bag-
girl
while packing
supermarket
groceries.
sometimes
it is even somebody
you have been
living with
for some
time-
you will notice
a
lightning quick
glance
never seen
from them
before.
sometimes
you will only note
their
existence
suddenly
in
vivid
recall
some months
some years
after they are
gone.
i remember
such a
one-
he was about
20 years old
drunk at
10 a.m.
staring into
a cracked
new orleans
mirror
face dreaming
against the
walls of
the world
where
did i
go?
-charles bukowski.




